SPRING BUNNY

A bit overworked, I wanted to keep it fresh.  My best bet for accomplishing that is no drawing ahead of time - letting the brush do the drawing.  Oh, well...next time.

ISLAND MAN, MR. FORBES

Mr. Forbes and I need to sit down and figure out why I cannot get his face correct in the portrait I'm doing on gessoed paper.  

Perhaps I did not start with a good, exactly proportioned drawing on the paper - always a problem when it comes to the painting stage.  I'm still working on it - putting paint on, taking it off - I'm beginning to sound like an oil painter!  

 I just downloaded the Mary Whyte e-book from NorthLight Books - her work makes me swoon even though it's tighter than I would want to paint.  Perhaps I need to print it out and read through it before trying to make any more changes to Mr. Forbes.  When I wiped back the left side of the background, I saw that I had stamped sea turtles into the gesso in the background - so I touched them with some green - very hard to see them here but there's one diving down just over HIS left shoulder and another to the right of HIS hat.  Can you see them?  I guess I put them there since he's an island man, surrounded by things from the sea.  

Dear Mr. Forbes, why are you giving me such fits?

ONE WORD WEDNESDAY

Charge!

Photo by Jerry H. Carpenter

WACC ANNUAL JURIED EXHIBITION

The 120th Annual Juried Exhibition of the Woman's Art Club of Cincinnati begins next month. 

Artists were allowed to enter 2 paintings on cd with only 1 getting in.  I got one in! 


Which one?





This one!

Now I have to have it matted and framed for delivery on April 1 or 2. 

The show goes on at The Barn 
6980 Cambridge Avenue
Mariemont, OH
from April 5 to April 21 (1-4 each day except Mondays the Barn is closed)
Artist reception/opening 
on April 7 from 1-4.

I can't be at the reception - I'll be at the Christopher Leeper watercolor landscape workshop in Mt. Adams - so I will wander over there on the 10th to see the show.

A FISHY THANK YOU

Saturday, I received a special thank you from Jeanette Jobson in response to my small donation to her Indiegogo plan to raise money for the purchase of a mall printing press.  Jeanette is still making these wonderful hand-pulled gyoku fish prints and I received this "red fish" - although it's not red, I realize red fish is it's name :)  He has a lovely underbite (which I find very sexy!).

In addition, she sent this wonderful thank you card, which is another print!

To find out more about Jeanette's plan, click on this link and see what it's all about.

Remember, we're all in this together!

SUNDAY SHARING

A few more bloggers and artists have begun to follow my blog, so that means its time to start visiting for Sunday Sharing time!  Don't forget to take your calling cards, in case they are not home when you arrive.

1.  Artist Shelley R. Ozbirn says Indulge Your Art Craving in her blog.  She creates beautiful little watercolor pieces and great jewelry from those pieces - take a look and find something you might just fall in love with! 

2.  Rosa Muller takes us to her home of Brazil and shows us the oil landscapes she has been painting.  It took a while to translate the pages but then I could read some of the things she's been doing and the shows she's been entering.  

3.  Eriko Kawamura is a Japanese artist living in Paris and creating some lovely, bright, watercolor sketches of her surroundings and her trips to Japan.  Watercolors and watercolor sketches are her forte and you'll definitely find something lovely to look at if you visit her blog.  I really liked her figure studies - the bold lines of color were something!

4.  The SimplySketch blog of artist, Cecile Samson, contains wonderful sketches and paintings- her creative life; and her second blog holds a life's account of living in Cape Breton in Nova Scotia, Canada with great photos.  Like a tour without leaving your easy chair!

I hope you take a few minutes out of your Sunday to visit these fellow bloggers.  You may just find something you love! 

FLOWER PETALS IN YELLOW

I put some color on the petals of the sunflower painting.  I think this may be as far as I am going with this one. It is just a class demo and experiment for the students and won't be anything more.  So many people paint sunflowers - nothing new here and just a copy of part of a watercolor book painting.

The picture looks a bit fuzzy - I must have moved when I snapped the pic.  The students will be working on their version of this Tuesday morning.


A local Ohio attorney is filing an indictment against Puxatawney (?) Phil, the groundhog, for intentionally committing fraud by saying spring would be early.  It sure isn't around here - cold, windy, snow flurries, brrr....

A TOUCH MORE ON THE SUNFLOWERS

I didn't do much more on the sunflowers painting except darken and change some greens here and there.  Not really in a spring/sunny mood - it's still cold here and windy :(   And, basically, did this to get myself away from the frustration of the Mr. Forbes painting.

Have a wonderful weekend!

STRUGGLING WITH A PORTRAIT

John Singer Sargent is quoted as saying, "Whenever I paint a portrait, I lose a friend."  I think I know what he means.  Of course, he painted most of his portraits in oils and could rework and change and make things right, over time.  The only way we can do this in watercolor is gesso the watercolor paper first, then you can wipe back to white (or close to white).

So I took a painting of Mr. Forbes I had done a few years ago and wiped it back to white (apparently, I had spray sealed it with acrylic spray so had to use the Mr. Clean Magic Eraser to wipe it back but it worked just fine).  Then began again, trying to work slowly and carefully, taking breaks and looking at the features.  

What I see wrong - the white moustache and beard don't look right and I need to figure out how to do this without putting Chinese White on it.  Perhaps a tiny brush to lift off anything that's white, leaving the color around it.  What else I see wrong - I've made his face longer and thinner at the top than it is, plus I've taken years (decades?) off his age.  

So, back to the drawing board for this one.  I need to give it some time to rest and try again with little changes as I go.  And get rid of that Chinese White moustache and beard!

ONE WORD WEDNESDAY

Spring

Photo by Jerry H. Carpenter

First Day of Spring, Spring Equinox, March 20

CLASS WORK SUNFLOWERS 2

I just added the greenery in the second stage of this.  I've decided I will finish it before the next class.  That way, I'll have more time to help the students as they work on their versions of this painting.

The way I see it right now, I think the bottom stem and some of the greenery areas need to be darker in value before I start on the petals.


I just finished the latest book by Jodi Picoult, titled The Storyteller.  I admit, she has been one of my favorite authors for years.  But even so, this book is one of her very best!  I highly recommend it, but warn you to give yourself a long weekend because you won't want to put it down after you start it. 

CLASS WORK SUNFLOWERS

The students showed up and finished the little bit they had to do on their little black cows.  Then didn't have anything else to start so I got out the watercolor books I own and came up with some sunflowers we could try.  

I printed out photos we could trace, reminding them that this is a copy of someone's work so we can't do anything but use this as a study.  Then I made mine vertical and carried the stems down with more sky area to change it from the photo.  

We are going for a dramatic and varied background to just some pretty sunflowers in the foreground.  I took a tip from Shirley Travena and got out my watercolor pencils and scraped some of the points off on sandpaper, letting the "dirt" fall on the paper while it was still damp.  This adds some interesting and varied textures.

I'll do the greenery next but probably save the sunflowers for last to do along with the class so I can help them with their flower petals.  I hope the rest works out as well as the background, which worked out pretty well.

WALNUT INK AND WATERCOLOR

Instead of using the black India ink, I used Daniel Smith's Walnut ink.  It's not as waterproof but it worked out for this one.  Chose some different pictographs from postcards of the southwest rock art.  Had to add the bird - which I think it an owl?  Maybe.  The character on the bottom right seems to be a snake charmer - that's a snake above his head - but maybe he's just dreaming about a snake...

This will be the last one of these I do.  I may still do a few small landscape studies as I still need to learn how to manipulate the India ink (without it manipulating me!).

Have a great weekend.  It's going to be warm and rainy here.

INK AND WATERCOLOR REVISED

I took a couple of the ink and watercolor works and revised them by 
first, using sandpaper to get off some of the dark marks in ink (black) and china marker(red).

In both instances, the marks "bled" into the watercolor around, creating haloed effects I didn't like.





So I got out my white gesso, watered it down a lot and poured it over a pre-spritzed painting, 
letting it roll around and settle a bit.  

I like the more muted look of both of these now.







If you don't have white gesso, you can use white gouache over these to push some of the color and intensity back.  I used white gesso because Alex Powers uses white gesso (80 to 20 ratio gesso to water) over his work to push things back and make lighter passages and I'd tried that before so I knew it worked.  Plus, it's no longer a pure watercolor painting as soon as you put the markings on so adding an acrylic medium doesn't matter at this point.

I have one more watercolor and walnut ink painting drying and I'll share it tomorrow.  Then maybe I'll go back to landscapes and other things of interest.  More crows?  Why not?!?  ha ha

ONE WORD WEDNESDAY

Green

Photo by Jerry H. Carpenter

(St. Patrick's Day is not far away. 

No, he's not Irish, but he's definitely

wearing the green!)

MORE INK AND WATERCOLOR PICTOGRAPHS

One more ink and watercolor pictograph.  But first I drew in the pictures using red china marker (which is a very waxy pencil in white, black and red).  Then I put in the watercolor and some ink to push it back a bit.

This one tells the story of a good rain and a good crop yield :)

Definition of PICTOGRAPH

1.  an ancient or prehistoric drawing or painting on a rock wall

2. one of the symbols belonging to a pictorial graphic system

3. a diagram representing statistical data by pictorial forms 

And a little watercolor flower on a scrap of paper - good for a bookmark.

INK AND WATERCOLOR EXPERIMENTS

Having seen the pictographs and petroglyphs in the southwest of the US, I had a few photos and postcards to use as reference for these watercolor and ink trials.  It was fun to put down the watercolor background, using some granulating colors; then put the ink down to "carve" into the background rocks :)  These won't last as long as the originals out in the southwest, but they were fun to do.

I think the ink on this one is too intense and clean - perhaps I will go over it with a bit of sandpaper, to scrape away some of the black and make it look more aged.

A background with a touch of blue added.

I didn't see any hands on the southwestern rock paintings - but I did see some of the Australian aborigines when I visited there.  Of course, they either painted their hands with the color and pressed them on, or placed their hands on the rock face and then blew the paint around the hand, outlining it.  


More to come tomorrow.  And my thanks again to Maggie Latham, who got this whole ink and watercolor thing started!  If you're interested in using ink with your watercolors, go over to Maggie's blog (see my sidebar for her blog) and try out some techniques.

INKY DINKY CROWS

 

Well, I had to try the ink and watercolor technique Maggie Latham shared on her blog in a crow painting - because she said I just had to try a crow this way!


This one is looking for something good to eat on a summer's day.

  And this one is mad, standing out in the wind while a storm is brewing! ha ha

I did both by putting down the India Ink first, using the ink like watercolor (with a small brush and wetting areas to lighten them); then I put in the light watercolor washes as background.

MR. FORBES, SAL SALVADOR, BAHAMAS

I was going to enter this in the monthly portrait challenge at PaintMyPhoto.  But there are already so many postings, it's just too overwhelming. 

I chose this one because I know the photographer, Li Newton, and the subject, Mr. Forbes.  Li is currently living on San Salvador in the Bahamas with her husband, who is the maintenance manager at the Gerace Research Station (where Sweetie and I stay when he goes to the Bahamas to do research).

I have met Mr. Forbes several times at the Gerace Research Station.  He was always moving, always working, always out and about.  I don't know how old he is - I could guess and be off by 20 years.  He always looks the same and he always struck me as a gentle man with a shy smile; a man who is not afraid of hard work and would cut open a coconut for the students at the research center whenever asked - there is a real knack to doing that with a large machete!

Thanks, Li, for sharing the photo at PaintMyPhoto.  And thanks for your help with Sweetie's research!  Maybe I'll see you this summer.

INKY LANDSCAPES, A LA MAGGIE LATHAM

Maggie Latham has some interesting posts right now on her blog - she's sharing how she uses inks with watercolor:  not in the traditional way of using the ink as a drawing tool and then coloring in with watercolors, but using the inks as watercolor. 


Get out your India Ink and brushes and try it.  I actually accomplished a couple paintings this way that I like!  They are both small studies (7.5" x 11").  I put down the ink first on damp paper in No. 1 and then washes of Azo Yellow + Prussian Blue.  In No. 2, I put down the ink after the watercolor washes.

ONE WORD WEDNESDAY

Real

Photo by Jerry H. Carpenter

(Yes, it's a real frog!)

GCWS PROGRAM?

Tomorrow's program for the Greater Cincinnati Watercolor Society is supposed to feature artist and teacher, Barbara Hart Sailor.  She will be coming from north of Dayton, OH.  I have been looking forward to her visit, but the weather may not cooperate.  Her area of OH is supposed to get 6-8 inches of snow by Wednesday morning, and we are supposed to get 2-3 inches here in NKY. 

Barb and I have been on-line buddies for years - since we both were in WatercolorWorkshop, the Yahoo group, and during my years of being List-Mom of the Yahoo group SWAP.  Barb always participated in the SWAPs and it was a treat to receive one of her paintings in the mail.  Barb has several blogs going, so you can visit and see some of her work, from watercolor to acrylic inks, traditional acrylic on canvas, and oils - there seems to be no medium she cannot conquer but I especially like her watercolors.

I'm hoping Barb and I can reschedule her program for later this year and that she will get to drive down and we'll meet in person.  Sometimes Mother Nature does what she wants and our plans don't mean much.

I hope you all are safe and warm, wherever you are and whether you got hit with another snowstorm or not.  Perhaps you are in Australia, swimming in the ocean - if so, send some of that warm, sunny weather our way!

RAVEN LUNATIC

I have a t-shirt that says, Raven Lunatic on it with a picture of a black raven in the middle.  I have fake stuffed crows around the house (4 of them).  I like ravens and love crows.  They mean something to me.  The crows calling as they fly over my house at 7:30 in the morning makes me smile.  Makes me want to see where they are going.  

When I saw some great photos of ravens Gary Jones posted on his blog, I wanted to paint one.  Gary is a member of PaintMyPhoto and posted one of the photos there for all to use.  His Sweetie, Sharon Whitley, told me about it - so I joined.  I still haven't quite figured the site out - need to spend more time roaming around, finding stuff and getting to know people - but I did paint the raven from Gary's photo and uploaded it.

Gary's blog is full of fantastic photographs from his walks in the wild in Wales.  Go there and see his stuff - you will be glad you did!  Sharon has a great blog, too - full of watercolors of the wildlife Gary photographs and which they see on their regular "walks" (which I call massive hikes up mountains).

Thanks, Gary and Sharon!

A POEM ABOUT SNOW

This one arrived in my email yesterday from poets.org.  
 I couldn't resist it:  such wonderful descriptions of what we adults fight and argue about = snow!

This is just an excerpt of the whole poem.  
Do you remember sledding down the hills when you were a child?  
Do you remember bouncing up and down like Tigger the Tiger, 
unable to wait to be put in your snowsuit, your boots, your scarf - 
then outside with a wild whoosh (and the scarf and hat came off, 
to be stuffed in your pocket), out you went! 
On to a cold, snowy adventure!

Snow

by Naomi Shihab Nye

Once with my scarf knotted over my mouth
I lumbered into a storm of snow up the long hill
and did not know where I was going except to the top of it.
In those days we went out like that.
Even children went out like that.
Someone was crying hard at home again, 
raging blizzard of sobs.

I dragged the sled by its rope, 
which we normally did not do
when snow was coming down so hard,
pulling my brother whom I called by our secret name
as if we could be other people under the skin.
The snow bit into my face, prickling the rim
of the head where the hair starts coming out.
And it was a big one. It would come down and down
for days. People would dig their cars out like potatoes.

How are you doing back there? I shouted,
and he said Fine, I’m doing fine, 
in the sunniest voice he could muster 
and I think I should love him more today
for having used it.

A FLICKER AT THE FEEDER

I was surprised to see this beautiful bird at our suet feeder 2 days in a row.  I do hope she (for I think it's a she) is going to stay around and find a mate and raise a few little flickers.  We've never had one in our area so it was amazing to see her.  Such beautiful colors with a black bib and black dots on her face, speckled chest, a touch of red at the back of her head; and that beautiful creamy toffee color!  I love it when we attract a new bird to our feeders. 

(Not a great photo - I got my point-n-shoot and took it before she flew away.)


Don't forget to check out our artist and blogger friend, Jeanette Jobson, and her Fishy Bits project goal!  I've included the link - so visit and read what it's about.  You might be able to help her meet her $ goal for a home printing press. 

http://www.indiegogo.com/projects/fishy-bits-a-year-of-original-fish-prints

Although her deadline is in April, don't wait until April to donate, if you are so inclined.  Remember, we're all in this together!

A BIT MORE TOMATO

Just a bit more of the tomatoes.  Slow going.  Perhaps it just doesn't thrill me?

Perhaps I should do something odd/unusual with that center tomato?


Are you a member of PaintmyPhoto?  I joined in order to get permission to paint Gary Jone's photo of a raven he took recently, but am apparently too stupid to figure out how to get around the site and post anything!  

Happy March 1st!

WHITE STAG FROM CLASS

In my beginner class, we are still working on darks and lights.  Here is a white stag (photo Sweetie took around Yellowstone Park) in front of a dark wall.  I painted this little painting (1/8 sheet = 7.5" x 11") and the students painted the little dark calf in front of a light wall (or in a light field). 

For the wall, I used just 2 colors: 
Cobalt Violet Deep + Quinacridone Burnt Orange

I used the same colors on the stag with a bit of Raw Sienna in the warm spots and on the antlers.  And the grass was the wall color with Sap Green over it.

ONE WORD WEDNESDAY

Frosty

Photo by Jerry H. Carpenter

OBJECTIFICATION

I did not watch the Academy Awards Sunday night.  Turned off the t.v. and read instead.  Of course, one cannot help seeing all the replays and comments after the fact.  Made me think of how beautiful and perfect everyone has to pretend to be to make it in the movies - unless you are supremely talented like Daniel Day Lewis and Meryl Streep.

And read this poem that came into my inbox - so appropriate!

The Objectified Mermaid

by Matthea Harvey

 

The photographer has been treating her like a spork all morning. "Wistful mouth, excited tail! Work it, work it!" He has no idea that even fake smiling spreads to her eyes and her tail and there's nothing she can do about it short of severing her spine. Without asking, the assistant re-sprays her with glycerine. It's gonna be hell getting all that grease off her scales tonight but she can't scum up her tank at the bar--its weekly cleanings seem more like monthly these days, and fewer and fewer patrons have been inviting (read: paying) her for a Tankside Mertini and quick feel of her tail. There's one regular who lapses in and out of consciousness and he's the real reason she stays. Every once in a while he seems to have forgotten where he is and he looks at her with the kind of wonder she imagines her grandmother inspired when she first risked coming ashore. After an hour under the studio spotlights, she's starting to smell pretty fishy. Can't blame it (as she has before) on her standard seaweed bra because this fool of a photographer has her holding two clear fishbowls in front of her breasts so it looks like goldfish are swimming past her nipples. She's supposed to pretend it tickles. She wants to ask if he's heard the phrase "gilding the lily" which she recently learned at Land Berlitz. When asked if she's tired, she lies. A downward spiral means the opposite up here.

RESEARCHING TOMATOES

There are so many heirloom tomatoes and so many interesting names for them.   Lovely, dark colors, reds and greens, yellow and almost blacks.  Interesting just to look at them all.  I wanted to view some of the varities since I'm still painting on my Utah Heirlooms - those we saw and purchased the last time we were in Salt Lake City.  They had a huge outdoor market and the tomatoes tasted as good as they looked.  I have an artist friend whose husband grows them, too.  And they are so good - like the tomatoes my grandmother fed me as a child.

I'm changing up the colors - not all dark red with green striped, as the photo shows.  Sweetie has trained me not to be so picky and taste the yellow tomatoes, too.  So far, I haven't tried a green one - or a black one.

Went out today to meet the coordinator of the Art After Hours Sweetie and I have been invited to - we will show our work at the Ft. Thomas branch of the library in July.  We picked out our spots and need to decide how many paintings/photos to show.  

I also mailed out my cd for the WACC 2013 juried show - I have 2 entries and hope one gets in.  If not, I'm not out more than the cost of the cd and check for entry (I am not going to mat and frame either one until I know one got in.)

SUPPORT FOR ARTISTS

Jeanette Jobson, working artist from Newfoundland, is raising money via Indigogo for a small printing press and equipment for her latest venture.  Please visit her Indigogo site to see what it's all about. 

You know, these small home presses are still quite expensive and if you know Jeanette then you know she is always working towards achieving her artistic goals.  She is truly an inspiration!  And inspiring artists should be supported.  So go on over to her site:

http://www.indiegogo.com/projects/339532/

and decide whether you have a few $ to spare to help her meet her goal. 

Donate to her cause and see what she does in 2013!  

TRASH CAN TOMATOES

Well, this one is torn and in the trash now.  It began as a nice painting and I worked on it a while and then it stumped me - I knew it was just about to go wrong so put it aside and it sat for months.  I picked it out of the pile the other day and began working it again - and, yep, it went wrong.  Quickly.  But I didn't give up.  I kept working it, even taking it and washing it all off in the bathtub and working more!  Sometimes you just have to know when to say Enough is Enough!  Part of the problem = it was a full size sheet (22" x 30") and I had to wrangle it around in my little art room, trying to paint without a table big enough to paint on.  Of course, that doesn't excuse the overworking and the black bg - I was willing to try anything at that point to save it but it was already DOA!  (Trust me, the photo makes it look so much better than it looked in real life.)

So - say goodbye, tear it up, throw it away.  And begin again.

This time, on a half sheet (15" x 22") which is more maneuverable for me.  However, these are not the pretty red tomatoes you see in the store.  These are heirloom tomatoes - the duller colored, often bi-colored tomatoes that cost more but taste oh-so-good. 


And I have to do some things right in this one =

1) don't make them all the same color and value,

2) don't put a solid bg behind them,

3) break up the color in places and leave some whites for goodness sake,

4)  spend more time looking at the photo reference and less time painting on color.


If I can do these things, I think it will work.
If not, well this one will be easier to tear up since it's smaller!

ONE WORD WEDNESDAY

Follow

Photo by Jerry H. Carpenter

THE RULES OF THE GAME

I am looking through paintings from last year to find 1 or 2 paintings to enter in the upcoming Woman's Art Club of Cincinnati juried show. (deadline March 1).


I thought you might be interested in reading the entry terms, as they have them in their brochure:

"Work must have been conceived and executed by the extrant after January 1, 2012, completely original, the work of the entering artist, and never have been entered in a previous juried exhibition."

I like that they are keeping things fresh - no old paintings from year's ago!  Too often artists have a lot of good paintings and they just recycle them into all the shows they can get into, if the calendar will allow.

I like that they are aware that work should be original.  (Although they didn't say it, I would hope that means nothing created in a workshop or in class with a lot of teacher input and help.)

I'm unsure about it being the work of the entering artist - do people actually put in things they have not done? 

And does "never have been entered in a previous juried exhibition" mean it didn't get in last year's show, or that it wasn't even put in for last year's show? 


It's a good thing to carefully read the rules of any show you enter.  You don't want to be disqualified for a mistake or a misunderstanding.  And you want to show your best work so look at your work with a critical eye - and if you can't do that, then ask for help.  But you be the deciding judge.  Don't exclude a painting you love because someone else loves another one instead.


I am also trying to go back to finish some unfinished work, but, honestly, I think I've forgotten how to paint!  Do you ever feel that way?  That the basics are gone for some reason?  You overwork, you can't get good shapes, you lose your whites, all the problems arise and it looks awful to you?  What's up with that?  I sure hope I get my mojo back soon - it seems the watercolor fairy has flown the coop and even leaving out chocolates won't bring her back...

LITTLE BLACK CALF REDO

It's better than the first version. 

I used Indanthrone Blue + Quinacridone Burnt Scarlet for the mix on his body - with a touch of Chinese White on his back and knees to lighten them a bit. 

I've gone through the JSSargent book and drooled over the paintings there - that man loved to travel and returned to the same places over and over to document and paint what he saw.

Now on to the second book I got for Valentine's Day - which should take me a month to go through!  But already learning more about watercolor - and American watercolor, in particular. 

VALENTINE SURPRISES

I hope you got some sweet things for Valentine's Day.  Here is just part of my haul! ha ha  (And yes, those are socks with hearts and frogs on them.  I don't know where Sweetie finds these things, but I thought they were extra cute.)

The two books are going to be marvelous to read and view - plenty of inspiring watercolors to get me out of my rut, I hope. (One on John Singer Sargent and one on several watercolor artists from Georgia O'Keeffe to Winslow Homer and Sargent and on and on...)

I ate 3 chocolates yesterday and got a migraine an hour later :(  Perhaps I should just go cold turkey with chocolate and call our lifelong romance to an end?

I also got flowers and a Starbucks card!  Wheeee!!!

But I didn't just sit around eating chocolates and looking at watercolors and wearing my froggie heart socks.  I even went down to my art room (after the migraine eased up with medication) and began the little black calf painting again.  This time, the wall will be white.

I masked the calf off and the upper part and bottom part and splattered and sprayed water to get the look of the wall so it remains white with some splotches.  Then removed the masking and did the bg and the foreground.  I think I'm going to make the foreground darker and more muddy looking than green.  Then I'll paint the little calf in black without using black.  Last time I used Prussian Blue + Pyrrol Scarlet.  I'll use a different mix this time.

VALENTINE POEM

Sometimes with One I Love
by Walt Whitman

 

Sometimes with one I love I fill myself with rage for 

   fear I effuse unreturn'd love,
But now I think there is no unreturn'd love, the pay 

   is certain one way or another,
(I loved a certain person ardently and my love was 

   not return'd,
Yet out of that I have written these songs.)

How true!  Even love in vain can be the basis for art :)

I hope your Valentine's Day is special, whether that box of chocolates and flowers are bought for you by someone else or by yourself (we must never forget that we have to love ourselves as much as we love others).

May you see red today

in a very colorful way...

A touch of satin, silk, or lace

to put a smile upon your face.

ONE WORD WEDNESDAY

Puppy-Love

Photo by me (of Deb Ward's dog, Stray).  He used to love me but I haven't been over in so long, he's given his heart to another lady who gives him food and treats!

LOOKING FOR A SPECIAL GIFT?

Look no more!  Dallas chocolatier, Andrea Pedraza, has created something all women will love:  Chocolate shoes! ha ha 

Now, do you eat them, or do you wear them?  Because you wouldn't want to eat them after you wear them, I say eat them! ha ha

The article I read about them say they run from $30 to $55 and that men buy the majority of the heels.  Clever chocolatier, clever men! 

See the YouTube video and how Andrea makes these here:
http://www.youtube.com/watch?v=PKoi2aSkcEE

Like all good things, her "signature" chocolate designer pumps are being copied by others.  I found several sites around the U.S. where they are claiming they are their own personal design - but they looked more like Barbie shoes than these beauties.

Happy Fat Tuesday!!!

HOW NOW

The little black calf continues.  Working on getting good, varied darks.


Since I'm not that happy with the wall behind him, I think I'll crop it closer.  (Why am I not happy with the wall?  Because it's too heavy with pigment.  Should have left it pure white with splatters and cracks only to define it.  A lesson learned...)

Now to do something light against dark for class...

I need to search through my paintings done last year and choose 2 entries for the 120th Annual Juried Exhibition for the Woman's Art Club of Cincinnati (WACC).  Early bird deadline is Feb. 15th and they are taking cds now instead of the artist taking their entries in, leaving them, going to pick them up (one or both) when the judging is over.  Much better, except for those who know nothing about creating jpegs and putting them on cds.  Everyone is being forced into the 21st Century, whether they like it or not.  If I have anything good enough, it will be small.  I haven't tried anything large for a while.  It's always interesting to look back at work you did a year ago and critique it with a less impassioned eye.  You know, you always are so attached and committed to a work when you've just finished it that it does you no good to critique it then - you should wait a month or two or three before looking at it again and really seeing if it's good or bad or if there is something it lacks.  I've found that what my previous year's work lacks is...wait for it!!...good dark values!! ha ha  Which is something that can easily be remedied, after the fact.

Take a look at your work from last year.  What works?  What doesn't?  What would you change to make it better?  Which pieces are your favorites, and why?  It's a good thing to do this once in a while with your own work, looking at it as if someone else painted it.  Then think about it hanging on a wall with other artwork in a show - would your piece have the power to make you walk over to it or would you just walk right by? 

Have a wonderfully creative weekend. 
And for those in the northeast of the U.S.:  Keep safe amidst the snowstorm that is coming your way.  Batten down the hatches and make sure you have plenty of food and drink, and something good to read when the power goes off.  Keep warm, think of it as a retreat from the world for a few days until they dig you out and clear and roads.