ONE WORD WEDNESDAY

Thanks

Photo by Jerry H. Carpenter

It is sooooo cold now.  I know the birds are thankful for their seeds and suet.  They need the energy to keep going during these cold winter days.  And I am thankful I can stand at my window and watch them every day.  A flash of red, or blue; the little round Carolina Wrens eating the dried mealworms (which were purchased for the bluebirds but too late to entice them to stay).  Funny bird antics every day is so much better than reality t.v.!!

FINISHING THE NOTAN STUDIES

Most of the time, when I am drawn to a painting, it is because of the strong values and then the colors.  If your values don't work, it doesn't matter how great your colors are.

As Hazel Soan says in her book, The Essence of Watercolor, "The hue of a colour may lead the heart, but the mind is persuaded by tone."

This is the swan finished by putting down limited colors over the sepia underpainting.    

I will do a complete painting, using color, next.  Hopefully, the Notan studies before painting will help me keep good darks and lights.  Hopefully, my students will enjoy this and learn from the lesson on Notan.

If you have problems getting your darks deep and rich enough, try this technique prior to painting and see if it helps.  As Red Green says, "We're all in this together."

NOTAN

I've been getting a lesson ready for my watercolor students on Notan, the Japanese design concept of light vs dark.  You can Google the word and find lots of information about it.  Basically, I want to have my students do this as a way to help them see their shapes and values/tones better before painting in color.  Of course, a few good value studies would do the same but you know how we often omit value studies and want to get right into painting!

Here are some steps in the process.  

Using a photo with good darks and lights, you then draw the subject, using a black marker or black ink or dark paint.  Everything comes down to 2 values at this stage - whites and blacks; there are no middle values.



(Trumpeter Swan photo by Yvonne Carter shared at WatercolorWorkshop)

You can use your photo manipulation program to intensity the darks and lights.

But it's better to do it yourself, using a dark marker or paint to create your own version of the photo in Notan.

Next, you draw or trace your photo onto your watercolor paper and, while looking at your photo and your Notan drawing/painting.  

Then paint your subject, using only one dark color.  

This one is on watercolor paper, using Sepia (Daniel Smith pigment).  I painted with a large wash brush until working on the smaller areas of the swan.  I liked the way this one turned out, very wet and juicy.

But that's not the end.  The next step is to paint this well with colors (perhaps a very limited palette).  

I did one a while back on Tyvek using a simple mix of colors to get darks, and bleeding out the medium values.  (I did not get good darks on the Tyvek and used a staining color so couldn't lift back to pure white - so I don't consider this one as successful as the one on watercolor paper.)  

I may give the students the option of painting one on Tyvek or Yupo (because you can lift out the whites if you lose them as long as you use nonstaining colors).  

But I'll ask them to do the monotone painting on watercolor paper.



Most of the time, when I am drawn to a painting, it is because of the strong values and then the colors.  If your values don't work, it doesn't matter how great your colors are.

Instead of starting over with the swan in color, I just put color over the sepia underpainting and here is the finished painting.

GREENS AND BLUES

A bit looser, a bit bigger brush.  Easy to not draw anything here - in fact, what would you draw?

RED-BELLIED WOODPECKER

Again, in my Strathmore Visual Journal (9" x 12", 90# watercolor paper); another one without drawing before painting.  However, I think I'm getting too tight with these.  I need to stay loose and fresh - that is the goal.  So, instead of drawing with the rigger brush, I'll use a bigger brush and try to make more shapes.

I didn't paint yesterday - didn't do much of anything due to a flare-up of a gallbladder problem I was diagnosed with this month.  I tell you, it's all a straight run downhill after 50!!!  

ONE WORD WEDNESDAY

Visitors

Photo by Jerry H. Carpenter

WISHING YOU A BLUE BIRD

Another painting without drawing.  I'm enjoying this and hope I'm getting better - I'll know when I review it all next month and see if there has been any change.

This was one of the blue jays on a post near the suet feeder.  I saw a blue jay yesterday that was so big I told Sweetie, "I think that jay ate all the other jays!" because we aren't seeing as many as we used to see around the feeders.

NO DRAWING

Another watercolor sketch/painting done with no prior drawing - in my Strathmore Visual Journal (90#).  I have the 140# journal, too, but I think this lighter weight paper doesn't take much working so it's easy to overwork.  Knowing that, I try to get the colors and shapes down in 2-3 passes and no more.  You can lift a little but not much. 

The goal for these paintings without drawing is to lighten up, get to a point where I will not overwork a piece so much, and to help me slow down and see shapes and values better.  

This was a pretty convoluted photo I used and I don't think I got the greens or the shapes varied enough in this one. 

Still working on this challenge for myself - at least throughout the month of January.

What are you working on this year?  What challenges or goals have you set for yourself?

WORK AROUND A BLOGGER GREMLIN

This is just a test to see if I can upload photos using Google Chrome on my laptop....

Yes, I can!  (I didn't think it worked when I tried it before, but it was my mistake - I was waiting for another screen to come up before putting in my photo info.)

So, it does work.  Just means I either have to install Chrome on the desktop
or I have to move photos from the desktop to the laptop more often. 
But it does work (and I've read that switching from HTML to Compose often causes problems, too, so I don't want to keep doing that on the desktop and then create other problems).

This is an old photo I have on my laptop - but we are having a wet end-of-week with mixed showers and thunderstorms, along with freakishly warm weather (65F in January ?!?) so it works as a current photo for several wet and stormy days which began Wednesday.

PAINTING WITHOUT DRAWING

Another watercolor sketch in my Strathmore Visual Journal (90# watercolor paper) - done without prior drawing.  Just trying to get the shapes right with the brush.  I overextended the crow's beak and had to fix it - not a great fix but the goal is to not spend time overworking but just letting the colors go.  I don't think I succeeded this time - but I'll keep trying.

Another day of rain rain rain.  Time to get out the mask, fin and snorkel if this keeps up!  I hope, wherever you are, that you are warm, dry and safe.

Have a good weekend!

DON'S BARN AND WATER PUMP

Back in the fall, a local town held a Herbst Tour (Herbst = Autumn in German).  Many farms and homes were open to show their horses, cattle, artwork, bakery goods, pumpkins, etc.  Sweetie and I took the self-driving tour on a glorious fall day this year.  We stopped to see Don, a photographer buddy.  

Don's home is one I'd love, with a farm pond, a gazebo, and a gorgeous maple tree at the end of his lane.  I took a photo of an outbuilding/barn he had that was old and weathered.  I think that's a water pump in front. 

Anyway, I had this photo lying around since fall and decided it would be a good one to try for my painting-without-drawing challenge.  I see now it needs more to really make it look dimensional - the grass and stone under the well look flat.  But I guess the challenge is to do this quickly, without pre-drawing, and get as much as I can in one go.  I may return to this and pump up the volume a little here and there.  The photo really shows a lot of blues, violets, greens and greys in that old barnwood, but I needed to push back the barn wood a bit more with darker values. 

So I used a cobalt blue wash over the whole barn wood and base to push it back.  For some reason, I cannot get the darker blue to show correctly, no matter how I fiddle with the white balance on the camera or the hue balance on the photo program.  It's a darker blue than this but I'm done trying to get it just right.

ONE WORD WEDNESDAY

Angry

Photo by Jerry H. Carpenter

This actually deserves more than one word.  Kentucky, the great horned owl Sweetie cares for at the raptor rehab, is a real persnickity thing.  If you don't feed him enough and his paper plate is empty before he thinks it should be, he starts hissing and tearing the paper plate into pieces!  Guess he's like most of us and doesn't like being on a diet.  

You might say he's a real Angry Bird!

LOOK OUT BELOW

This little fellow was so cute - a snail seen in Belize a few year's ago when Sweetie thought it would be a good idea to take a trip to a remote area of Belize for our anniversary.  Um...well...we are still married so it wasn't horrid but we both returned home eaten up with mosquito and no-seeum bites all over us.  Anyway, there were nature hikes and talks and during one we saw this little guy in the evening.  Perhaps he was heading home for the night?

The words say:  Be brave, But watch out below. 
I think that sums up my thinking about painting without drawing and the beauty you can get but also the bumps in the road that have to be fixed with a touch of Chinese White watercolor.  (No, I'm not a purist unless the rules of a competition say you must use only transparent watercolor - I believe whatever works, use it!)

And here is my last postcard made from matboard, scraps of watercolor paintings and collage pieces and a silver marker.  I will add a bit to the berries because I don't like them right now - may even strengthen the vine/tree and limbs, too.  But I do like the blue and silver motif :)  The shiny bits are collage pieces I made in Myrna Wacknov's workshop last spring at Kanuga - it aluminum foil embossed with a design, then painted with acrylic paint.


For me, Blogger is still not working the usual way in the Compose mode.

If you are having problems with Blogger and being able to post photos, just upload them using the HTML mode, then return to Compose mode to type in your words.  It works, but it's another step - until they get this fixed. 
Is ANYONE else having this problem or is Blogger just picking on me?

POSTCARDS AND BOOKMARKS FROM THE GRANDS

Here are some of the cards and bookmarks made by the grandgirls - each girl has her own unique look with J liking the addition of words to her pieces using paint pens and markers.

(J made a few more but I didn't get a photo of them before she left Sunday afternoon.)



A did these 2 pieces.  She also painted a watercolor scorpion but I didn't get a photo of that before she went home.  She loves painting in watercolors and is doing a good job.

Blogger still acting up - wonder if they will ever figure out what is wrong?  I tried to upload from my laptop (which had Google Chrome on it) but it still wouldn't work unless I went into HTML to upload and then back to Compose to see the post and add the words.  Oh, well, it works - just not as easily as it used to work.

POSTCARDS FROM BITS AND PIECES

Well, Blogger is still having the same problems with uploading photos as it was having Friday and no fix yet.  There is a work-around, though.  You can upload your photos in HTML mode, then go to Compose mode to type your text.  Of course, this means some squirrelly positioning of things, but it does work to get your photos in the blog post.



So I've uploaded the postcards I did before the grandgirls got here Saturday afternoon.  I'll post their pieces next :)

I was thinking about Valentine's Day for this last one but will probably replace the black raffia ribbon (what I had on hand) with a red one (which I may have to buy or dye a natural one) before I give it to someone (meaning Sweetie!).

TRYING MARILYN'S TECHNIQUES

If you've been reading, you know that our watercolor society had Marilyn Bishop come and give a program for us on the 2nd of January.  She is making beautiful and artful bookmarks out of scraps of matboard and "failed" watercolor paintings - with the addition of ink and rice paper and gold leaf and...whatever you can imagine.  I wanted to try this technique with some of the scraps I have lying around but didn't want to make bookmarks since that is definitely Marilyn's domain.

So I did postcards. 
(I would share them with you but Blogger is having a breakdown and won't allow me to upload any of the photos right now.  Apparently, this has been broken since Friday.  Hope they fix it soon as I don't want to install Chrome on Sweetie's desktop - which is old and I'm afraid every new thing I add will be the last thing!  They say it has to do with Internet Explorer.

Anyway, I made my pieces on 4" x 6" matboard, adding scraps of failed watercolor paintings and some markers and fluid acrylic paint and...whatever I thought looked okay. 

It does take time to lay things out, move them, reposition them, think about the composition, then glue them down (Marilyn used an Elmer's glue stick which I tried and I also tried Nori Paste - a bookbinding paste - for the heavier pieces).

The grandgirls are coming over this afternoon and I've got things laid out for them to try this.  I think it will be a fun art project for us to try together.  I'll share those photos when I can...

DRAWING WITH YOUR BRUSH

It's not been easy for me to stop relying on a graphite drawing before putting paint to paper.  But I'm trying to become more familiar with it and create something I like.  The trick is to know that I can still overwork a piece even if I don't have a drawing on the paper first and STOP before I do that.  The joy is just putting down the brushstrokes necessary and then letting it go.  I'm not there yet, but I can feel a shift that may be taking me closer.

This little pathway was painted from a photo Christopher Leeper allowed me to use during his workshop.  I've tried the painting once but it wasn't this nice.  I think I'm getting closer.  Not quite there yet.  But still, not bad and so much better than I used to be at seeing and then moving the brush and paint.  I even left some whites in this one! 

What challenges are you going to set for yourself this year?  Aim high and be bold!  What can it hurt, right?  If you stumble, you'll catch yourself; and this time next year may see a whole new avenue opening for you!

MAKING BOOKMARKS FROM WATERCOLOR AND MATBOARD SCRAPS

Our guest speaker/artist, Marilyn Bishop, gave a very interesting and entertaining program yesterday for our watercolor society.  She makes bookmarks from scraps of things - matboard, rice paper, "failed" watercolors, markers, etc.  And she had a great display of bookmarks to show us - none of which looked like you'd want to use for bookmarks!  They were much too pretty and artfully done.  So, I guess you can take bookmarks to a higher artful level than one would think - and she does.

I think we all were thinking of all the little scraps of things we could use on matboard to make these - or something similar - for ourselves.





Using an Elmer's glue stick to paste the watercolor and other bits onto the matboard, she said most of the time is spent thinking about the design.  I can see getting lost it lots of bits and pieces and not being able to choose which color, which scrap, etc.  Marilyn calls her scraps Strips (longer strips of watercolor paper) and Chips (more squared or rectangle pieces).  Loving color and paper, it was fun to watch her create several of these for us during the meeting.


So - do have scraps lying around?  Do you have any watercolor painting that didn't quite make it but aren't totally losers?  Do you have some matboard scraps or small pieces?  Then off you go!

I intend to make a few - but not as bookmarks.  I'm going to make them 4" x 6" like postcards.  We'll see what I come up with when I start sorting all the bits I have.  I even purchased an Elmer's glue stick and some gold, silver, bronze and white markers today to try it.

Of course, I liked all of Marilyn's bookmarks but chose only 2 that I really wanted (2 of the only ones she had in cool colors! ha ha)

This would be a great art-day event to share with your grandkids, who would love putting things together and all you do it stamp, glue, and doodle a bit for embellishments!

Thanks, Marilyn, for an inspiring program :)

ONE WORD WEDNESDAY

Owlish

Photo by Jerry H. Carpenter (Sweetie)

TODAY AND TOMORROW

Today =
Happy New Year!!!

Are you planning on turning over a new leaf to commemorate the new year - or making any resolutions you'll break before January is finished? ha ha  Not me.  Just painting without drawing in my Strathmore Visual watercolor journal (90# paper, not 140# but it seems to hold up pretty well).


Tomorrow = 
If the weather allows, we will have our first 2013 meeting of the Greater Cincinnati Watercolor Society.  The guest artist/speaker will be founding member, Marilyn Bishop.  Marilyn will share her tips on saving watercolor scraps and adding to them to create original, unique bookmarks, using matboard as the base.  I'm taking some collaged scraps from my Myrna Wacknov workshop and matboard and hope to make a few bookmarks for myself during the open paint session after the program.  If you're in the area, come on by!  We'll be there from 10 am - 1 pm.

I've got another year of being Program Chairperson for the GCWS and have our next 6 months' programs scheduled so no need to do anything except try out our new DVD Player/Projector after the meeting today.

WATERCOLOR SKETCHES AGAIN

Another painting done from a photo and without any drawing done beforehand.  (A challenge to myself for these last few days of December.)

WATERCOLOR SKETCHES

After reading - and enjoying - the Hazel Soan watercolor book I got for Christmas, I decided I wanted to get back to painting without drawing and see if I can get better at moving my brush (and not overworking areas).  You can tell by reading Ms. Soan's words that she loves watercolor - everything about it.  But she has also spent a lifetime working with watercolor to master what can be a very difficult medium to tame :)




Using photos Sweetie took, I am working in my Strathmore watercolor journal (140# cold press paper).  I try to look carefully at the photo and then begin painting without any drawing on the paper at all.  It's a challenge, but I want to do it and I think it will help me get better at seeing before painting!




Sweetie is out taking photos today of the snow - we got snow on top of snow so it's heavy and dense and pretty.  It would be prettier with a bit of sunshine but just grey skies today.  I hope, wherever you are, you are safe and warm and have some time for creating art.

WHAT DID YOU GET?

Did you get any art supplies for Hanukkah, Christmas, or Kwanzaa? 

I got a lovely watercolor book of Hazel Soan's work (The Essence of Watercolor) from my step-daughter, Moe!  I love it!

Ms. Soan loves watercolor and just reading about her enthusiasm about the medium makes me feel energized again and want to put brush and paint to paper!

My little artist grandgirl, Alaina, was happy with her new block of Arches paper, a new set of brushes (DaVinci Cosmotop Spin rounds) and her bamboo brush holder.  She said, "This is just like your's, grandma!"  We'll be planning a painting day soon. 

We extend our celebrations to today, when my sister and BIL come over to visit, exchange presents, and play Monty Python's Monopoly game:  "Bring me some shrubberies!!"

ONE WORD WEDNESDAY

Snowfall

Photo by Jerry H. Carpenter

THE DAY AFTER THE END OF THE WORLD

Well, my sister put off her Christmas shopping until after the 21st - just in case the propaganda was correct and the world ended yesterday! ha ha   I decided we were still going to be here so did my shopping early except for an extra for Sweetie (a cell phone). 

 According to the Mayan predictions and calendar, we are entering a new world - not the destruction of this world but a new paradigm shift - and, boy, could we use it!

In case you get to thinking about the end of the world again any time soon, here is a wonderful poem from one of my favorite poets, Robert Frost:

Fire and Ice 

by Robert Frost

 

Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To know that for destruction ice
Is also great
And would suffice.

GOURDS FINISHED

I added just a little detail on these to bring out the depth of the gourds/pumpkins and show off those warts and strange shapes. 


What do you think?  Should I stick with the white background or do a pale color there?  I'm leaning towards staying with the white.


My wish on this winter's solstice is for all of us to have the comfort of warmth and safety, and the security of peace as we come closer to the end of this year.  The church bells tolled for those murdered twenty-six at 9:30 this morning.  May our shared sadness bring us closer together as a nation. 

Peace 



 

ONE WORD WEDNESDAY

Enter

Photo by Jerry H. Carpenter

GOURDS OR PUMPKINS

It's been a while since I've painted anything but class work or Christmas cards.  I've set up some of the gourds Sweetie and I purchased at the Rising Sun Navy Bean Festival back in the fall and took photos during a sunny day.  I finally got around to using them for a painting.


Using a 4 x 6 photo, I drew out the 3 gourds I wanted to use on a piece of tracing paper.  Then I transferred that to a sheet of Arches 140# cold press watercolor paper (fourth sheet size = 11" x 15")

Then I began painted in the gourds/pumpkins and the dark shadow shapes (which is what I found so interesting about this set-up).

I need to bring in some more colors and depth on the pumpkins and get those "warts" on there, too.

I'll do more later...but today, class is coming and they'll be doing more Christmas cards.  Out of 5 students, I always have 1 missing so, for me, it's worked out with setting up in the kitchen.  If I ever have 5 students coming all the time - or 6, I'll have to find a new setting or get a different set-up so everyone has plenty of room.  But I'm not complaining.  It's fun to share what I've learned with others and to see their growth - and it's fun to just have a reason to study some technique and paint different things.  

CHRIS MICE

I forgot how time consuming and labor intensive these guys were.  I made 3 dozen to take to various parties and places before Christmas.  I have enough ingredients to make 3-4 dozen more, but not sure I will. 

I took some to a party Friday night and they were a big hit.


You can find the recipe if you Google Chocolate Covered Cherry Mice. 
I just call them ChrisMice :)

Do you have all your presents bought and wrapped?  And your holiday baking done?  Or will you be making the mad dash this weekend to finish up?  I think I'm finished.  Even got Mom's recumbent bike put together Saturday for her so she can begin using it (FedEx delivered it earlier than scheduled, leaving it on her porch instead of helping her in with it).  Sweetie did most of the work and figuring out what piece goes where - I am not good with that kind of thing. 

CAN YOU HAVE A LOOSE COLORED PENCIL PAINTING?

I saw many lovely works at the Colored Pencil Show at The Barn in Mariemont - the majority were very photorealistic (or close to it).  However, there was one that looked more like a watercolor that caught my eye.  I was told that the artist probably used turpentine to wet the colored pencil on the paper and move the color like watercolor.  The look appeals to me.  If I took up colored pencil, I'd probably do it this way.

It's the painting at the top,
called Woodland Light, by Margie Hopkins
and it is even more beautiful in person
(just couldn't get decent shots that didn't have reflections in them).

Ms. Hopkins also won 1st place for her hyperrealistic painting of the man and dog.    Some of the small landscapes were looser, too - you could see the pencil strokes (which I like); and one man does colored pencil, building up from squiggled lines and those lines show in all his work.  Can't recall his name, but I think it was Mike Paolercio.

And here are a few from the last batch of Christmas/holiday cards for me...

Have a great weekend.  Only one more full week before Christmas!

MORE COLORED PENCIL PAINTINGS

Here are some more of my favorites from the Colored Pencil show at The Barn:

Sorry about all the reflections - couldn't be helped, especially in a dark mat and frame.

I liked the delicacy of this one - it was small and would make a perfect gift for someone.




We arrived at the same time as 3 other ladies.  We discovered later that one was a colored pencil artist and she had several paintings in the show - Helen Bohler.  It was a pleasure to talk to her about art and the colored pencil group.  Here is just one of Helen's paintings (she had 2 portraits of dogs and one of autumn leaves):

And another interesting one that caught my eye:

Pelvic Thrust
by Jeff Acus

Mr. Acus has 2 more in the show, all interesting and visually appealing to me = 2 large paintings and one smaller one of the Eden Park water tower using a dark reddish brown paper - very cool!





The show is a large one, so you'll just have to visit to see the rest.  It will be up the rest of the month at The Barn in Mariemont.  Go see it, if you're in the area.